The online journal of a photographer in southern California. As I explore my world, please join me and listen in on some of my thoughts transcribed along the way. (All images are copyrighted by Anita Jesse. All Rights Reserved. Please contact me at my website, framinglightphotography, if you wish to include a photo on your site.)
Wednesday, March 16, 2011
Making Art as Therapy
I'm not great at handling stress. My usual tactic is to wrap it tightly in a huge, hard knot, and drop it in the pit of my stomach. This is not a strategy that I recommend. Of course, I am also well practiced in the art of locking my shoulders somewhere up above my ears. There is another brilliant move, that I can't, in good conscience, advise for healthy living.
Because the stress level here rates pretty high on the Richter scale, I knew I had to find a way to divert some from the stomach area. Too late on the shoulder business. Originally, I had the bright idea that I would set aside all my creative work and all the crazy plans I normally have for yet another project and just deal with the business at hand. Well, that lasted about a day and a half. By then, I was exhausted from screaming silently and moping, had the shoulders locked, and was hard at work on the knot. I decided to reverse field.
Saturday, I dove into the files from that shoot last spring at my friend's horse farm. For the moment, I have no perspective, but I think that I have found more images worth working on. These are the ones that either simply didn't register previously, or I had liked the potential but could not see a solution to the native problems at that time. After all, I had what seemed to be an embarrassment of riches after one quick pass. The client's package, all done up in a handsome archival box with acid free tissue, and tied with a beautiful wired ribbon, contained 47 prints. I didn't have to get past the first cut to please her.
Now, I am obsessed with possible overlooked "treasures", "could-bes" or "maybes" and free to spend all the time I need experimenting with heretofore unimagined solutions to nasty backgrounds. (Nasty backgrounds at SKF are part of the game. This is a functional farm, not a Kentucky show barn.) I cannot say that I worked in an organized and smart manner—this is therapy now. The final product isn't the focus. The doing is all that matters. While I am absorbed in an image it fills up the corners of my mind, crowding out everything else.
Throughout the day, I skipped wildly from one passion to the next with no order and no sense of a plan, but simply letting my heart take me from one impulse to the next. It was healthy and when (and if) I finish one of these pieces of therapy, I will share it here. Meanwhile, I felt like posting one of the pictures that had been ignored in the first cut. On that fine spring morning, this bay gelding called Louie, exulted in his power and the joy of freedom. It was a contagious celebration of life.
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